St Anne's Diocesan College congratulates Matric Art students Jodi Hulley, Kirsten Wing, Caitlin Fleming, Julia Church and Julia Van der Riet for being selected to exhibit at the ANNUAL MATRIC ART KZN Schools EXHIBITION (2015 to be held at Hilton College). This is a real testimony to their dedication, hard work and talent.
Julia Van der Riet's Harmony of Logic is a pencil drawing of a lady transforming into DNA strands.
Julia Church's rationale for her piece Con Brio: "When I think of music, I think of it to be timeless, expressive, personal and most of all valuable. Its value is in terms of its emotional content, meaning and emotional release and not in terms of monetary value.
In this artwork, I have portrayed a barcode on the keys and this relates to the exploration of the way in which music has become, over the years, increasingly consumerist and money-driven. Music is more of a "business" than it ever used to be and I feel that the levels of fraud and corruption in the industry are what rob music of its essential purpose. The birds juxtapose this commercial notion in the sense that they are musical creatures and represent music in its most natural and simplest form. They are also portrayed in bright colors on actual wood in contrast to the cohesively structured black-and-white theme on the rest of the piano to express music's natural vibrancy and passion. "Con Brio" is a music term referring to music with vigor, spirit and color – the way in which I wanted my birds to appear. The title also plays on the word 'Con' which relates to the fraudulent aspects of the music industry such as piracy and copyright infringements."
Caitlin Fleming's, The shadow of strength: This work is made up of a series of 40 process drawings and reflects both the self and the other of anxiety as whole. In this work she explores the otherness of anxiety and how it shapes oneself into something unrecognisable, it shifts you into 'other'. The work displays a number of figures in various body positions, positions of defeat, shame, awkwardness, and discomfort. They display the emotions and turbulence of anxiety, the figure's face is usually covered, turned away or unrecognisable this is to highlight the fact that social anxiety does not choose its victims to a certain criteria but rather can randomly choose to torture and taunt anyone. The various techniques and materials are used to amplify the pain and the harshness of anxiety. For example, the vivid reds and the gauze represent the pain and frustration of anxiety. The use of the ink and glue technique emphasizes the uncontrollable nature anxiety as does the almost complete disappearance of some of the figures into the background of the paintings, underling the disappearance of oneself into other and how one is only left with a "shadow" of strength to fight it.
